I spent the better part of Saturday and Sunday doing one visual poem from Misery that I thought worked out well.
I pasted pale yellow strips over the unwanted text and assembled a tiny collage with four elements, including an upside-down astronaut, and was generally pleased with myself.
To take a break from the eyestrain, around 3 o’clock on Sunday I went downtown to see the August Sander exhibit (again). One of the photographs has lodged itself in my brain. I wanted to snag some extra brochures from the show to see if I can make something of the images, or just cut them up for a deck of playing cards. Now there’s an idea.
Coming back on the subway I was like, you know, actually that poem with the astronaut image kind of sucks, the collage is good but otherwise it’s trash and you should tear it up.
I reluctantly agreed with this ‘second opinion.’ I did like the launch of the poem but the end deteriorated. I spent another who knows how long rethinking the poem. With a visual poem it’s not like you just erase the offending line. I had to destroy the page and hope there was another untouched p. 57 (?) in one of my five copies of Misery (there was). Luckily I could peel the collage off the page and re-use it. Thank you Uhu.
I believe I’ve salvaged it. It’s been about 22 hours now and I haven’t had any ominous pangs of doubt yet.
3 thoughts on “Ground control”
Happens all the time! Just when you’ve laid out the page there’s only so much that can be revised. We need to be more patient before calling it done.
I promise the same thing happens with visual art. The ‘best thing you’ve ever done’ feeling turns into dismay the following day when you survey the ‘masterpiece’. Sometimes it takes years before ‘calling it done’. Patience, indeed.
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